Moritz Eggert
May 23, 2023
“This creates the paradoxical situation that something intellectually very ambitious like Boulez’s piece has to fail at the very simple level of linguistic decoding by, for example, lay people. It […]
May 22, 2023
“Wie wir wissen, sind die musikalischen Methoden von Boulez sehr wohl komplex, die tatsächlich klingende Oberfläche des Stücks ist aber unglaublich simpel, selbst im Vergleich zu einem einfachen Kinderlied wie […]
May 17, 2023
Ironia della sorte, l’Huffington Post Italia si riferisce alla prima della mia opera del complotto…https://www.huffingtonpost.it/cultura/2023/05/16/news/noi_i_complottisti_nessuno_e_immune_alle_teorie_cospirative_e_non_sempre_e_un_male-12119325/
May 7, 2023
“Just as there are algorithms now that can recognize text generated by ChatGPT, there will be algorithms that will scan scores for computer assistance.” https://blogs.nmz.de/badblog/2023/05/07/konkurrenz-mit-der-musikmaschine-2/
May 5, 2023
German review in the “Neue Musikzeitung” of “Die letzte Verschwörung” (The Last Conspiracy)https://www.nmz.de/artikel/was-ist-wahrheit
May 1, 2023
There will be 4 more performances in Vienna beginning of next year! https://www.rhinegold.co.uk/opera_now/review-eggerts-die-letzte-verschworung-at-volksoper-wien-verges-on-genius/
April 17, 2023
“When the music mass market is going to be mostly AI-generated, clients will continue to afford human composers as a kind of ‘luxury’. They might brag by name, like the […]
