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last updated:
07/29/2010

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Moritz Eggert

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Milo and Adrian

Just finished
  • Breaking the Waves for 7 brass players and 12 percussionists
  • Earworm for soprano and piano
  • I, Phone for soprano, piano and phoning assistant
  • Flea Walls for recorder quartet


In the works
  • Jodler, for Monika Drasch
  • De Avaritia helicopter prologue for "Carmina Burana" ("Kulturwald" - festival)


On the horizon
  • Collaboration with children's author Paul Maar for Bamberger Symphoniker, orchestra piece for "Musikalische Akademie des Mannheimer Nationaltheater-Orchesters", project with "2Raumwohnung"


Travel schedule

Other stuff Next concerts
  • 07/03/2010: Sound Symposium 2010
    Haemmerklavier XIX, XXI, XVII, X, XX
    Partly CANADIAN PREMIERE

    St. John's, CA (Neufundland/Kanada), Sound Symposium
    http://www.soundsymposium.com/
    Interpreters: Moritz Eggert, pf.


  • 07/04/2010: Recital Stefanie Schumacher
    Moritz Eggert: Three Interludes (Auf dem Wasser zu singen) for accordion solo

    Three Interludes (Auf dem Wasser zu singen)


    Lehrinstitut Bencic, Munich (Germany)
    Gneisenhausener Str. 15-17 (near U-Aidenbachstr.)
    tickets under 089/4471553

    Interpreters: Stefanie Schumacher, acc.


  • 07/07/2010: Diploma Recital Simon Bode
    from 6 Songs From "Neue Dichter Lieben" for Tenor, violin, cello, Bajan

    6 Songs from Neue Dichter Lieben


    Hanover (Germany), Music University
    Interpreters: Maria Kliegel, vc., Elsbeth Moser, baj., Simon Bode, ten., NN, vl.


  • 07/08/2010, 10:30: 60x60 Scarlet Mix
    Moritz Eggert: The One Minute Piece Which Took Me Ages To Do And Which Is Really Impressive
    360 degrees of 60x60 (Scarlet Mix)
    Aaron Acosta , Monty Adkins , John Akins , Jacob Alford , Shani Aviram ,
    Mark Ballora , John Biggs , Adrian Borza , George Brunner , Michael Casey ,
    Christopher Chandler , Jen-Kuang Chang , Hsin-Li Chen , Ming ying Chen ,
    Michael Takezo Chinen , HEE YOUNG CHO , Lin Culbertson , Elise cumberland ,
    Mathew Dalgleish , Jared Davison , Moritz Eggert , Travis Elrott , Juan
    Escudero , Thea Fahardian , Jeff Fairbanks , Michael Farley , Brent Ferguson
    , Thomas Gerwin , William 'Kwesi' Grant-Acquah , Scot Gresham-Lancaster ,
    Bruce Hamilton , Christopher Haworth , Min Eui Hong , Sair Sinan Kestelli ,
    Anton Killin , Nicole Kim , Yota Kobayashi , Yu-Ping Lin , Zachary Lovitch ,
    Christian McLeer , Marty Meinerz , Valerio Murat , Lee Noyes , James
    O'Callaghan , Rui Ogawa , David Parfit , Scott Peterson , Momilani Ramstrum
    , Tony Saunders , Patrick Scott , Daniel Steffey , Joyce Wai-chung Tang ,
    Clay Taylor , En-Ning Tsai , Corinne Tuney , Florian Vitez , Shu-Cheng Wu ,
    Azumi Yokomizo , Sabrina Peña Young , and Mark Zaki

    Click here for the Concert Program of the 60x60 (Scarlet Mix)
    http://www.voxnovus.com/60x60/2010_Scarlet_Mix.htm
    July 8th 2010 - 10:30 AM
    Nelson School of Music,
    48 Nile Street
    Nelson, New Zealand
    Free Admission
    Interpreters:


  • 07/10/2010, 08:30: Breaking The Waves - Call
    Radio Play

    CBC Newfoundland (Canada), Radio
    Interpreters: with Alison Corbett, Mack Furlong, Ed Squires, Moritz Eggert


  • 07/10/2010: Sound Symposium 2010
    Moritz Eggert: Breaking the Waves
    Open Air Performance (Cape Spear Project)
    WORLD PREMIERE

    St. John's, CA (Neufundland/Kanada), Sound Symposium
    http://www.soundsymposium.com/
    Interpreters: tba, Moritz Eggert, pf./cond./director


  • 07/10/2010, 01:0: CBC Kanada
    Moritz Eggert: Haemmerklavier XIX: Anthems of the World

    CBC Newfoundland (Canada), Radio
    Interpreters: Moritz Eggert, pf.


  • 07/12/2010: Tiroler Festspiele
    Moritz Eggert: Amadé, Amadé for piano quintet
    AUSTRIAN PREMIERE

    Amadé, Amadé

    MORITZ EGGERT
    Amadé, Amadé (ÖEA)
    WOLFGANG AMADEUS MOZART
    Klavierquintett Es-Dur KV 452
    Rondo a-minor

    Quintetto Amadeo
    Klavier Moritz Eggert
    Oboe Manuel Bilz
    Klarinette Thorsten Johanns
    Horn Paul van Zelm
    Fagott Ole Kristian Dahl
    Erl (Austria), Tiroler Festspiele
    http://www.tiroler-festspiele.at/
    Interpreters:


  • 07/13/2010, 20:05: Kreisleriana 2010
    Moritz Eggert: from Haemmerklavier XXII: Kreislerianana for piano solo
    Robert Schumann
    Nr. 1
    Nr. 2
    Nr. 3

    Michael Denhoff
    An R. Sch. - für Susanne (Nr. 7A aus: Strophen op. 107)

    Sascha Dragicevic
    Aus nächster Ferne

    Ivan Sokolov
    Intermezzo

    Robert Schumann
    Nr. 4
    Nr. 5

    Alex Shapiro
    Slowly, searching

    Leon Milo
    Fantaisie Electroacoustique I pour R.S. and S.K.

    Robert Schumann
    Nr. 6

    Moritz Eggert
    Kreislerianana (aus: Hämmerklavier XXII)

    Robert Schumann
    Nr. 7
    Nr. 8

    Alvin Lucier
    SK7

    Manfred Niehaus
    1 2 3 4 7

    Susanne Kessel, Klavier

    Aufnahme vom 28. Mai aus dem WDR Funkhaus Köln.

    Redaktion: Bernhard Wallerius
    WDR 3 Konzert (German Radio)
    http://www.wdr3.de/konzert/details/artikel/kreisleriana-op16-und-kreisleriana-2010.html
    Interpreters: Susanne Kessel, pf.


  • 07/17/2010, 20:00: Winners in Concert Special
    Moritz Eggert: Kisses in the Air for 6 performers

    Kisses in the air

    http://www.webzeitung-lb.de/2010/06/22/winners-in-concert-spezial
    Waiblingen (Germany), Buergerzentrum
    Interpreters:


  • 07/17/2010, 00:: ars sonora
    Moritz Eggert: Breathless for recorder solo
    Hannes SEIDL: The Art of Home Entertainment (8’24’’). Ensemble Intégrales. Enno POPPE: Knochen I (9’02’’). Klangforum Wien. Stefan Asbury, dir. Moritz EGGERT: Außer Atem (6’42’’). J. Whybrow (fl. de pico). György LIGETI: Atmosphères für grosses Orchester ohne Schlagzeug (8’32’’). Orq. Sinf. de la Südwestfunk, Baden-Baden. E. Bour (dir.). Jay SCHWARTZ: Music for Orchestra (13’42’’). Orq. Sinf. de Hesse. Diego Masson (dir.)
    Radio Clasica, Ars Sonora (Spanish Radio)
    http://www.arssonora.es/?page_id=158
    Interpreters: Julia Whybrow, rec.


  • 07/21/2010, 20:00: Amazonas
    Music Theatre in three parts by Klaus Schedl, Tato Taborda and Ludger Brümmer (Music)
    (participation by Moritz Eggert as singer, speaker and actor)
    BRASILILAN PREMIERE
    Ecologically and culturally is the Amazon a core area in regard to the fate of the earth. The music theatre project that the Munich Biennale is realizing with international collaborative partners unfolds the aspects of the “Amazonian pain” (Peter Sloterdijk) and the Amazon region’s history using every possible media of modern music theatre. Three relatively independent sections represent three different perspectives on the history of the Amazon:

    1. The distant perspective: the perspective of the Europeans, the “discoverers” and conquerors, a look back with the knowledge of the ensuing results. The libretto uses a montage of excerpts from Sir Walter Raleigh’s “The Discovery of Guiana” from 1596. The themes are paradise, fear of nature, battle, and gold – especially gold. The composer Klaus Schedl transports the texts into a sound landscape, which simultaneously allows one to experience the distance and contemporariness of the report from ages past.

    2. The up-close perspective: the perspective of the indigenous people, the Yanomami, one of the largest groups of Amazonian peoples who were able to preserve their traditions, and the perspective of their representative, the shaman Davi Kopenawa Yanomami. The creation myth of the Yanomami will be told, which demands the sense of hearing as the main source for orientation. The Caucasians appear as the incarnation of Xawara, the evil spirit that brings disaster, in a trinity as explorers, missionaries, and gold diggers. The music, which steadily becomes more and more important than the lyrics and integrates moments of indigenous traditions, is composed by the Brazilian Tato Taborda.

    3. The future perspective: the third section is a multimedia project created by the Zentrum für Kunst und Medientechnologie (ZKM) Karlsruhe, conceived by Peter Weibel and composed by Ludger Brümmer. One evening – three totally different sections – three dimensions of one subject, a subject that will decide part of the world’s future.
    Sao Paulo, SESC Pompéia, Rua Clélia, 93, Sao Paulo - SP (Brazil)
    http://www.sescsp.org.br


    Interpreters: Musical director: Heinz Friedl
    Performers (among others): João Cipriano Martins, Nuno Dias, Moritz Eggert, Katia Guedes, Christian Kesten, Mafalda de Lemos, Phil Minton, Christian Zehnder, Jochen Strodthoff
    piano possibile
    Instrumental soloists of Teatro Nacional de São Carlos


  • 07/22/2010, 20:00: Amazonas
    Music Theatre in three parts by Klaus Schedl, Tato Taborda and Ludger Brümmer (Music)
    (participation by Moritz Eggert as singer, speaker and actor)

    Ecologically and culturally is the Amazon a core area in regard to the fate of the earth. The music theatre project that the Munich Biennale is realizing with international collaborative partners unfolds the aspects of the “Amazonian pain” (Peter Sloterdijk) and the Amazon region’s history using every possible media of modern music theatre. Three relatively independent sections represent three different perspectives on the history of the Amazon:

    1. The distant perspective: the perspective of the Europeans, the “discoverers” and conquerors, a look back with the knowledge of the ensuing results. The libretto uses a montage of excerpts from Sir Walter Raleigh’s “The Discovery of Guiana” from 1596. The themes are paradise, fear of nature, battle, and gold – especially gold. The composer Klaus Schedl transports the texts into a sound landscape, which simultaneously allows one to experience the distance and contemporariness of the report from ages past.

    2. The up-close perspective: the perspective of the indigenous people, the Yanomami, one of the largest groups of Amazonian peoples who were able to preserve their traditions, and the perspective of their representative, the shaman Davi Kopenawa Yanomami. The creation myth of the Yanomami will be told, which demands the sense of hearing as the main source for orientation. The Caucasians appear as the incarnation of Xawara, the evil spirit that brings disaster, in a trinity as explorers, missionaries, and gold diggers. The music, which steadily becomes more and more important than the lyrics and integrates moments of indigenous traditions, is composed by the Brazilian Tato Taborda.

    3. The future perspective: the third section is a multimedia project created by the Zentrum für Kunst und Medientechnologie (ZKM) Karlsruhe, conceived by Peter Weibel and composed by Ludger Brümmer. One evening – three totally different sections – three dimensions of one subject, a subject that will decide part of the world’s future.
    Sao Paulo, SESC Pompéia, Rua Clélia, 93, Sao Paulo - SP (Brazil)
    http://www.sescsp.org.br


    Interpreters: Musical director: Heinz Friedl
    Performers (among others): João Cipriano Martins, Nuno Dias, Moritz Eggert, Katia Guedes, Christian Kesten, Mafalda de Lemos, Phil Minton, Christian Zehnder, Jochen Strodthoff
    piano possibile
    Instrumental soloists of Teatro Nacional de São Carlos


  • 07/23/2010, 20:00: Amazonas
    Music Theatre in three parts by Klaus Schedl, Tato Taborda and Ludger Brümmer (Music)
    (participation by Moritz Eggert as singer, speaker and actor)

    Ecologically and culturally is the Amazon a core area in regard to the fate of the earth. The music theatre project that the Munich Biennale is realizing with international collaborative partners unfolds the aspects of the “Amazonian pain” (Peter Sloterdijk) and the Amazon region’s history using every possible media of modern music theatre. Three relatively independent sections represent three different perspectives on the history of the Amazon:

    1. The distant perspective: the perspective of the Europeans, the “discoverers” and conquerors, a look back with the knowledge of the ensuing results. The libretto uses a montage of excerpts from Sir Walter Raleigh’s “The Discovery of Guiana” from 1596. The themes are paradise, fear of nature, battle, and gold – especially gold. The composer Klaus Schedl transports the texts into a sound landscape, which simultaneously allows one to experience the distance and contemporariness of the report from ages past.

    2. The up-close perspective: the perspective of the indigenous people, the Yanomami, one of the largest groups of Amazonian peoples who were able to preserve their traditions, and the perspective of their representative, the shaman Davi Kopenawa Yanomami. The creation myth of the Yanomami will be told, which demands the sense of hearing as the main source for orientation. The Caucasians appear as the incarnation of Xawara, the evil spirit that brings disaster, in a trinity as explorers, missionaries, and gold diggers. The music, which steadily becomes more and more important than the lyrics and integrates moments of indigenous traditions, is composed by the Brazilian Tato Taborda.

    3. The future perspective: the third section is a multimedia project created by the Zentrum für Kunst und Medientechnologie (ZKM) Karlsruhe, conceived by Peter Weibel and composed by Ludger Brümmer. One evening – three totally different sections – three dimensions of one subject, a subject that will decide part of the world’s future.
    Sao Paulo, SESC Pompéia, Rua Clélia, 93, Sao Paulo - SP (Brazil)
    http://www.sescsp.org.br


    Interpreters: Musical director: Heinz Friedl
    Performers (among others): João Cipriano Martins, Nuno Dias, Moritz Eggert, Katia Guedes, Christian Kesten, Mafalda de Lemos, Phil Minton, Christian Zehnder, Jochen Strodthoff
    piano possibile
    Instrumental soloists of Teatro Nacional de São Carlos


  • 07/24/2010, 20:00: Amazonas
    Music Theatre in three parts by Klaus Schedl, Tato Taborda and Ludger Brümmer (Music)
    (participation by Moritz Eggert as singer, speaker and actor)

    Ecologically and culturally is the Amazon a core area in regard to the fate of the earth. The music theatre project that the Munich Biennale is realizing with international collaborative partners unfolds the aspects of the “Amazonian pain” (Peter Sloterdijk) and the Amazon region’s history using every possible media of modern music theatre. Three relatively independent sections represent three different perspectives on the history of the Amazon:

    1. The distant perspective: the perspective of the Europeans, the “discoverers” and conquerors, a look back with the knowledge of the ensuing results. The libretto uses a montage of excerpts from Sir Walter Raleigh’s “The Discovery of Guiana” from 1596. The themes are paradise, fear of nature, battle, and gold – especially gold. The composer Klaus Schedl transports the texts into a sound landscape, which simultaneously allows one to experience the distance and contemporariness of the report from ages past.

    2. The up-close perspective: the perspective of the indigenous people, the Yanomami, one of the largest groups of Amazonian peoples who were able to preserve their traditions, and the perspective of their representative, the shaman Davi Kopenawa Yanomami. The creation myth of the Yanomami will be told, which demands the sense of hearing as the main source for orientation. The Caucasians appear as the incarnation of Xawara, the evil spirit that brings disaster, in a trinity as explorers, missionaries, and gold diggers. The music, which steadily becomes more and more important than the lyrics and integrates moments of indigenous traditions, is composed by the Brazilian Tato Taborda.

    3. The future perspective: the third section is a multimedia project created by the Zentrum für Kunst und Medientechnologie (ZKM) Karlsruhe, conceived by Peter Weibel and composed by Ludger Brümmer. One evening – three totally different sections – three dimensions of one subject, a subject that will decide part of the world’s future.
    Sao Paulo, SESC Pompéia, Rua Clélia, 93, Sao Paulo - SP (Brazil)
    http://www.sescsp.org.br


    Interpreters: Musical director: Heinz Friedl
    Performers (among others): João Cipriano Martins, Nuno Dias, Moritz Eggert, Katia Guedes, Christian Kesten, Mafalda de Lemos, Phil Minton, Christian Zehnder, Jochen Strodthoff
    piano possibile
    Instrumental soloists of Teatro Nacional de São Carlos


  • 07/25/2010, 20:00: Amazonas
    Music Theatre in three parts by Klaus Schedl, Tato Taborda and Ludger Brümmer (Music)
    (participation by Moritz Eggert as singer, speaker and actor)

    Ecologically and culturally is the Amazon a core area in regard to the fate of the earth. The music theatre project that the Munich Biennale is realizing with international collaborative partners unfolds the aspects of the “Amazonian pain” (Peter Sloterdijk) and the Amazon region’s history using every possible media of modern music theatre. Three relatively independent sections represent three different perspectives on the history of the Amazon:

    1. The distant perspective: the perspective of the Europeans, the “discoverers” and conquerors, a look back with the knowledge of the ensuing results. The libretto uses a montage of excerpts from Sir Walter Raleigh’s “The Discovery of Guiana” from 1596. The themes are paradise, fear of nature, battle, and gold – especially gold. The composer Klaus Schedl transports the texts into a sound landscape, which simultaneously allows one to experience the distance and contemporariness of the report from ages past.

    2. The up-close perspective: the perspective of the indigenous people, the Yanomami, one of the largest groups of Amazonian peoples who were able to preserve their traditions, and the perspective of their representative, the shaman Davi Kopenawa Yanomami. The creation myth of the Yanomami will be told, which demands the sense of hearing as the main source for orientation. The Caucasians appear as the incarnation of Xawara, the evil spirit that brings disaster, in a trinity as explorers, missionaries, and gold diggers. The music, which steadily becomes more and more important than the lyrics and integrates moments of indigenous traditions, is composed by the Brazilian Tato Taborda.

    3. The future perspective: the third section is a multimedia project created by the Zentrum für Kunst und Medientechnologie (ZKM) Karlsruhe, conceived by Peter Weibel and composed by Ludger Brümmer. One evening – three totally different sections – three dimensions of one subject, a subject that will decide part of the world’s future.
    Sao Paulo, SESC Pompéia, Rua Clélia, 93, Sao Paulo - SP (Brazil)
    http://www.sescsp.org.br


    Interpreters: Musical director: Heinz Friedl
    Performers (among others): João Cipriano Martins, Nuno Dias, Moritz Eggert, Katia Guedes, Christian Kesten, Mafalda de Lemos, Phil Minton, Christian Zehnder, Jochen Strodthoff
    piano possibile
    Instrumental soloists of Teatro Nacional de São Carlos


  • 07/31/2010, 20:00: Ein Maerchen aus uralten Zeiten
    Songs and ballads by Schumann and Brahms
    http://www.peterschoene.de/index.php?view=details&id=877%3Aliederabend-ein-maerchen-aus-uralten-zeiten&option=com_eventlist&Itemid=60
    Rheinsberg (Germany), 20. Brandenburgische Sommerkonzerte, Laurentiuskirche Rheinsberg
    http://www.lustaufkultur.de/kulturkalender/veranstaltungen/inhalt/Ein-Maerchen-aus-uralten-Zeiten---Peter-Schoene-32469.html
    Interpreters: Peter Schoene, bar., Moritz Eggert, pf.


  • 08/09/2010, 12:15: Music Mondays
    Moritz Eggert: Haemmerklavier XV: Nose Dance (CANADIAN PREMIERE) and Haemmerklavier XX: One Man Band 2 for solo piano
    http://www.musicmondays.ca/currentseason.html
    Toronto (Canada), Church of the Holy Trinity, Trinity Square
    Suggested donation: $5 or more
    For more information, contact 416-598-4521 ext: 222
    Interpreters: Elaine Lau, Joseph Ferretti, pf.


  • 08/25/2010: Singing Summer
    http://www.singingsummer.de/436_DEU_HTML.php

    Mainz (Germany), Peter-Cornelius-conservatory
    Interpreters: Prof. Thomas Dewald, Tenor, Moritz Eggert, composition/pf.


  • 08/29/2010: Singing Summer
    final concert

    Mainz (Germany), Peter-Cornelius-conservatory
    Interpreters: Prof. Thomas Dewald, Tenor, Moritz Eggert, composition/pf.




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